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The
Hound of the Baskervilles was the first of the fourteen Sherlock Holmes movies made with Basil Rathbone and Nigel Bruce,
and the only one of the fourteen in which Rathbone did not receive top
billing.
Dr. Mortimer, a friend of the recently murdered Sir Charles Baskerville
seeks help from Sherlock Holmes to protect young Sir Henry Baskerville,
who has just arrived on a ship from Canada. Mortimer tells Holmes and
Watson of the legend of the Hound of the Baskervilles, which has cursed
every member of the family since 1650. Holmes pretends to scoff at the
supposed danger and he tells Mortimer not to worry about an old legend.
In reality he knows Sir Henry's life is in danger. Pretending to be busy
in London, Holmes sends Watson to the Baskerville estate in Devonshire to protect Sir Henry. Holmes
then goes to the moor in disguise, in order to investigate in
anonymity.

Dr. Mortimer and Holmes |

Watson, Miss Stapleton, Sir Henry, and Holmes (disguised as a peddler) |
Holmes appears as a peddler before Watson, Sir Henry and Miss
Stapleton, and completely fools them. When Holmes has almost figured out
the mystery, he removes his disguise, revealing himself to Watson. Watson
is indignant when he realizes that Holmes has been there all the time, and
didn't trust him enough to tell him! (Of course Watson has made a fool of
himself by claiming to be the great detective Sherlock Holmes!) Holmes
returns with Watson to Baskerville Hall to fill in some missing pieces to
the puzzle. Even when Holmes has figured out who the murderer is, he
cannot arrest him without evidence. Holmes says, "The only way is to
catch him red-handed, to catch him in such a way that there's no escape,
no alibi. And that means gambling with Sir Henry's life." Once
again Holmes tells Sir Henry that he has nothing to fear, his troubles are
over, and Holmes and Watson board a train headed for London. At the next
stop, they disembark, take a train back and arrive at the moor just in the
nick of time to save Sir Henry from being killed by the Hound. Holmes and
Watson shoot the Hound dead. In the final scene, with nearly everyone
present, Holmes explains how he figured out who the murderer and hound
owner was. Feeling trapped, Stapleton pulls on gun on everyone, then runs
out of the house. Holmes does not give chase, explaining that the police
are out in force on the roads, and the only other means of escape is
across the deadly Grimpen Mire.

Holmes, Stapleton, and Sir Henry |

Watson and Holmes examine the walking stick. |
The Hound of the Baskervilles follows the original story
by Sir Arthur Conan Doyle pretty closely. There are, however, some differences:
- The novel opens at 221B Baker Street with Holmes and Watson examining the walking stick left by Dr. Mortimer (Lionel Atwill), whom they haven't met yet. The film opens with the death of Sir Charles Baskerville and the neighbors discussing the circumstances of Sir Charles' death.
- In the novel, Mrs. Laura Lyons
(Frankland's daughter) is a fairly important character, having arranged to meet Sir Charles on the night of his death. She is not mentioned in the film.
- In the novel Beryl Stapleton turns out to be married to Mr. Stapleton and only pretending to be his sister. There is no talk of an engagement to Sir Henry
Baskerville. In the film Miss Stapleton (Wendy Barrie) really is the sister--step-sister, in fact, so there is a happy ending for Sir Henry (Richard
Greene) and Beryl Stapleton.
- The seance scene with Mrs. Mortimer does not occur in the novel. In fact there is no Mrs. Mortimer in the novel. Mrs. Hudson isn't mentioned in the novel either.
- The trap that Holmes lays to catch the Hound is also different in
the novel and film. In the novel
Holmes, Watson and Lestrade are on the moor, waiting for Sir Henry to leave the Stapleton's house and walk home. They are ready and shoot the Hound before it has even scratched Sir Henry. In the film Holmes and Watson (minus
Lestrade) are late getting to the moor because the carriage broke down and they don't reach Sir Henry and shoot the Hound before Sir Henry has been horribly mauled, almost to death. This is typical Hollywood: try to build up the suspense--"Will he get there in time to save Sir Henry?" It is out of character for Holmes to not have all the details worked out.
- In the film (and not in the novel) Holmes allows himself to get locked in the pit where the hound had been kept.
How could Holmes be so stupid when he's supposed to be so brilliant?
- At the end of the film Holmes says, "Oh, Watson -- the needle!" This line is not in the novel, but
Holmes' use of morphine is documented in other stories. This line added nothing to the story--it's amazing that the censors allowed
it.

Holmes trapped in the Hound's pit. |

Holmes and Watson on the train |
In spite of some of the differences mentioned above, The Hound of the Baskervilles remains one of my favorite Sherlock Holmes
films, and it of course established Basil Rathbone as the definitive
Sherlock Holmes. Rathbone states in his autobiography that The Hound of the Baskervilles was always his favorite Sherlock Holmes film.
I especially like the first scene with Holmes and Watson in Baker Street. The dialogue is almost word for word the same as in the novel, and the chemistry between Rathbone and Nigel Bruce is perfect.
I usually cringe at Nigel Bruce's interpretation of Watson as a bumbling
idiot (apparent in the later Universal films), which is so different from
the character appearing in Conan Doyle's stories, but in this film Bruce
is much less bumbling, and actually appears to be a capable friend and
physician.
The liberal use of dry ice on the set created the eerie
and ominous foggy atmosphere of the English moor and the ruins of a burial
ground, which was actually a large indoor set. The Hound (a 140-pound Great Dane named Chief) appeared suitably
ferocious to frighten audiences, but not the critics. The story moved swiftly from one
suspenseful moment to the next.
Nigel Bruce wrote the following in his memoirs (posted on
the
Scarlet Street forums):
| "The Hound of the Baskervilles, which is perhaps
Conan Doyle's most exciting adventure of Sherlock Holmes, was
selected as the first vehicle for Basil and myself. Much of the
picture was made in a huge stage on the 20th-Century back lot. The
entire stage was surrounded by a circular screen of canvas on which
was painted a very lifelike picture of Dartmoor. The centre of the
stage was filled with large boulders made of plaster of paris. Here
and there a bridge was seen and several caves were visible. Running
through the boggy marsh-like ground were several small streams. For
eight weeks we worked in this set, and the atmosphere was most
unpleasant as the fog which was necessary to the story was made by
artificial methods and freshly pumped into the stage after every
shot. The effect reached, however, was eerie and foreboding and the
picture turned out to be an excellent one. Basil Rathbone looked
exactly like every picture that one has ever seen of Sherlock
Holmes; and the cast, which was a good one, included Wendy Barrie,
Lionel Atwill, John Carradine and an attractive young newcomer from
England by the name of Richard Greene. Our director was Sidney
Lanfield. Lanfield had the reputation of being a tartar, but after a
few outbursts during the first few days, Basil and I got on
splendidly with him. Each morning we greeted him with great
affection and both of us would plant a kiss on his furrowed brow.
After each take we would shake hands and solemnly congratulate one
another on our 'excellent performance.' We took the whole film in a
mood of light-hearted enjoyment which left Sidney, who was
accustomed to arguments and scenes, in a state of complete
bafflement, and he gave up losing his temper in sheer self-defense.
The result of this was that we all worked happily together and
enjoyed every moment on the picture.
I never worked with a nicer man than Basil, and I never acted
with a more unselfish or more cooperative actor. The Baskervilles
took from December 29th, 1938, to the 8th of March, 1939, and in the
picture I earned nearly $10,000. The Hound of the Baskervilles was
released....and its reception both in America and in England, where
we felt they would be more critical, was beyond our wildest hopes.
Basil was hailed as a splendid Sherlock Holmes and the critics not
only gave him high praise but remarked that his resemblance to the
general idea of the great detective was amazing. As Doctor Watson, I
seemed to amuse and satisfy the many devoted admirers of the Conan
Doyle characters. The London Sunday Pictorial said this of the film:
'In my excitement I dropped my hat, cigarettes, gloves and matches,
and I let them stay on the floor until the lights went up.'" |
"Rathbone gives a most effective characterization of
Sherlock Holmes, which will be relished by mystery lovers." --Variety
Morton Lowry (Stapleton) had previously appeared with
Rathbone in The Dawn
Patrol, and later appeared in
Pursuit to Algiers. Lionel Atwill (Dr. Mortimer) would later play
Moriarty in Sherlock Holmes and the Secret
Weapon.

Lobby card depicting scene in which the Barrymans learn what happened
to the convict |

Lobby card depicting scene in which Holmes reveals the killer |
See more photos from The Hound of the Baskervilles
on page 2 and page 3.
Cast |
|
|
Credits |
|
| Basil
Rathbone ............. |
Sherlock Holmes |
|
Production Co. ............. |
20th Century Fox |
| Nigel Bruce ................... |
Dr. Watson |
|
Producer ....................... |
Gene Markey |
|
Richard Greene ............. |
Sir Henry Baskerville |
|
Director ......................... |
Sidney Lanfield |
|
Wendy Barrie ............... |
Beryl Stapleton |
|
Screenplay ................... |
Ernest Pascal |
|
Lionel Atwill ................. |
Dr. James Mortimer |
|
Cinematographer ......... |
Peverell
Marley |
|
John Carradine ............. |
Barryman |
|
Editor ............................. |
Robert Simpson |
|
Barlowe Borland ........... |
Frankland |
|
Music Director ............. |
Cyril Mockridge |
|
Beryl Mercer ................. |
Mrs. Mortimer |
|
Art Directors ................ |
Richard Day |
|
Morton Lowry ............. |
John Stapleton |
|
|
Hans Peters |
|
Ralph Forbes ................ |
Sir Hugo Baskerville |
|
Costume
Design .......... |
Gwen Wakeling |
|
E.E. Clive ....................... |
Cabby |
|
|
|
|
Eily Malyon .................. |
Mrs. Barryman |
|
The Hound of the Baskervilles is available on DVD:

Click to order |
|
Nigel de Brulier ............ |
Convict |
|
|
Mary Gordon ............... |
Mrs. Hudson |
|
| Peter
Willis.................... |
Roderick |
|
| Ivan
Simpson ............... |
Shepherd |
|
|
Ian MacLaren .............. |
Sir Charles Baskerville |
|
|
John Burton ................ |
Bruce |
|
|
Denis Green ................. |
Jon |
|
|
Evan Thomas .............. |
Edwin |
|
|
Chief .............................. |
The Hound |
|
Interesting online reviews of "The Hound of the
Baskervilles" can be found here:
"Rathbone's
Finest Hour" -- an article by Pat Ward, member of The Illustrious
Clients of Indianapolis scion society
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