Sherlock Holmes and
the Voice of Terror
 (1942), 65 minutes b&w

Sherlock Holmes and the Voice of Terror is the third film in the Rathbone/Bruce series, but the first one made by Universal, the first in the series in which Rathbone sports his ridiculous hairstyle, and the first film set in London in the 1940s instead of the late 1800s. Universal tried to explain the change in setting with the following words, which appear after the opening credits at the beginning of the film:

"The character of Sherlock Holmes, created by Sir Arthur Conan Doyle, is ageless, invincible, and unchanging. In solving significant problems of the present day, he remains, as ever, the supreme master of deductive reasoning."

Rathbone thought that making the films contemporary was a good idea; he stated that he felt the Sherlock Holmes stories were dated and old-fashioned (In and Out of Character, p. 180). Universal must have felt that the deerstalker was old-fashioned, too. In one scene in the film, as Holmes and Watson were leaving 221B Baker Street, Holmes reached for the famous deerstalker cap. Watson stopped him, saying: "No, no, no! You promised!" Holmes grabbed a fedora instead.

As the film begins we hear a radio voice from Germanythe "Voice of Terror"announcing news of bombings and other sabotage to British listeners. Sherlock Holmes is invited by the Intelligence Inner Council to help identify and silence the "Voice of Terror." Convinced that the sabotage is a prelude, and that something bigger is planned, Holmes vows to find out what that diabolic plan is.

Back at 221B Baker Street, a man named Gavin, whom Holmes had contacted for information, shows up at the door with a knife in his back. Before he expires Gavin utters one word: "Christopher." Holmes he made deductions about Gavin's killer after examining the knife. Puzzled as to the meaning of the word "Christopher," Holmes and Watson head to the Limehouse district to talk with Kitty, Gavin's wife.

At first, Kitty has no interest in helping Holmes, but he appeals to her patriotic side. Holmes tells her that Gavin was killed by the Nazis. He asks her to enlist all her friends to fight the Nazis. Kitty succeeds in rousing her friends to help fight for England. The friends spread out to find out what "Christopher" means.

 


Discussing the Voice of Terror with the Inner Council

Holmes: "When we go out that door, a young lady will greet us."

Meanwhile, Sherlock Holmes reports to the Inner Council. From analyzing minute differences between recorded and live broadcasts of Beethoven's Fifth Symphony, Holmes has deduced that the Voice of Terror is actually a recording. The man behind the Voice of Terror is in England. The recordings are flown to Germany and then broadcast from there. Holmes explains that the Voice of Terror broadcasts are carefully timed to air moments after the disasters occur.

The Air Ministry informed Holmes that at regular intervals six Nazi planes fly over and drop their cargo on non-military targets. A single plane breaks formation. Holmes deduces that the lone plane picks up secret military plans and the Voice of Terror's recorded message, and flies them to Germany. Because of the type of secret information being leaked, Holmes deduces that there is a traitor in the Inner Council, and that the Council members are in grave danger.

Having discovered that "Christopher" refers to the old, abandoned Christopher Docks, Holmes and Watson, followed by Lloyd (Henry Daniell), go there to investigate. They come face-to-face with Meade and his Nazi henchmen, who hold them at gunpoint. Holmes didn't come alone, though, and Kitty's friends from Limehouse appear and disarm the Nazis. Meade manages to escape through a trap door.

Holmes engages Kitty to get close to Meade and find out what he's planning. Kitty informs Holmes that she heard Meade say he would take care of that "Seven Oaks" matter. Knowing that Sir Evan Barham has a home in Seven Oaks, Holmes and Watson immediately drive there to warn Sir Evan.

 

Sherlock Holmes and the Voice of Terror
This is an interesting attempt to bring our old friend, Sherlock Holmes, up to date and to prove that his deductive processes function in a world of scientific innovations With his devoted Watson he is called in to solve the riddle of how a Nazi radio announcer can predict acts of sabotage in England within a few seconds of their actual occurrence. This is of course very different from other Sherlock Holmes pictures. It is fantastic but on the whole entertaining.

 
Adolescents, 12 to 16
They would probably enjoy it
Children, 8 to 12
Too exciting

Motion Picture Reviews, November 1942

 

Holmes catches up with Sir Evan as he is on his rounds as Air Warden. They hear air raid sirens and spot one Nazi plan. As it comes in for a landing, they see Meade run to the plane. Meade puts something on the plane and runs off. Sir Evan shoots at him, but misses, and he's annoyed with Holmes for not helping him.

Back at the ministry, the Council is listening to the Voice of Terror announcing that the Nazis will strike somewhere on the coast tomorrow morning. The council thinks it must be the northern coast, and are prepared to deploy troops there. But when Holmes learns that Meade and Kitty have driven to the southern coast, he convinces the council that the attack will take place on the southern coast. The threat against England's northern coast was a ruse to leave the south undefended.

Holmes, Watson, the Council members and British officers surprise and capture the small group of Nazis who were waiting in a bombed-out church to receive an invasion army proceeding across the channel. When he realizes he's been betrayed, Meade shoots Kitty. She dies a heroine.

Holmes has deduced that the Voice of Terror is a member of the inner council; no one outside of the inner council should have known that Holmes was on the case, and yet, German agents knew. He stuns everyone present when he announces that the Voice of Terror is none other than Sir Evan Barham. Barham was actually Heinrich von Bork, a German who resembled the real Sir Evan. With some plastic surgery von Bork was able to fool everyone who knew Barham, even his old school chum Watson. At Seven Oaks, when it appeared that Sir Evan was shooting at the German plane, he was actually warning it away.


Holmes hears a sound at the door.

As Gavin dies, he says, "Christopher!"

Sherlock Holmes and the Voice of Terror was inspired by the Conan Doyle story "His Last Bow," a story in which Sherlock Holmes comes out of his bee-keeping retirement to help trap a German spy in England, circa 1914, or a little earlier. The German spy's name was Von Borkthe same name as the German spy masquerading as an Englishman in The Voice of Terror. Otherwise the stories are completely different. The speech Holmes gives at the end of the film (quoted below) is nearly word for word the same as the end of "His Last Bow." The inclusion of this speech was a concession to the estate of Sir Arthur Conan Doyle, who insisted that the film must correspond, at least in part, with the original story.

Watson: "It's a lovely morning, Holmes."
Holmes: "There's an East wind coming, Watson."
Watson: "I don't think so. Looks like another warm day."
Holmes: "Good old Watson. You are the one fixed point in a changing age. But there's an East wind coming all the same, such a wind as never blew on England yet. It will be cold and bitter, Watson, and a good many of us may wither before its blast. But it's God's own wind none the less. And a greener, better, stronger land will be in the sunshine when the storm is cleared."

 

"Sherlock Holmes and the Voice of Terror"

SHERLOCK HOLMES IS BROUGHT UP-TO-DATE IN MELODRAMA THAT IS ROUTINE AND UNDISTINGUISHED.

Sherlock Holmes is brought right up to-the-minute in his latest screen adventure. His job in this instance is to uncover a gang of saboteurs who are terrorizing all England and boasting of their nefarious exploits via broadcasts delivered by a character identified only as "The Voice of Terror."

Sherlock is called in when the intelligence office finds itself helpless to uncover the saboteurs. With quiet efficiency the sleuth plunges into the case, using deductive logic as his chief weapon for solving the riddle. Dr. Watson is at his side most of the time, but the fellow is of little help to him. What help Sherlock does get comes from a girl of the slums who enlists her disreputable companions in the search for the saboteurs. The girl is motivated by revenge as well as patriotism her sweetheart having been murdered by the gang. Pretty soon Sherlock has the villains rounded up. A member of the intelligence office, who is an imposter, is revealed as the head of the gang. the only reward Lynn Riggs, the author of the screenplay, has seen fit to offer the girl is death at the hands of one of the saboteurs.

Though routine and undistinguished, this melodrama, produced by Howard Benedict, has a fair amount of thrilling action and much speed, for which thanks chiefly to the direction of John Rawlins. Robert D. Andrews adapted the story, which is based on Sir Arthur Conan Doyle's "His Last Bow."

The acting is generally good. Basil Rathbone is the Sherlock Holmes and Nigel Bruce the Dr. Watson. Reginald Denny is the head saboteur and Evelyn Ankers the girl from the slums. Others who should be mentioned are Thomas Gomez, Henry Daniell, Montagu Love, Olaf Hytten and Leyland Hodgson.

DIRECTION, Good.   PHOTOGRAPHY, Good.

The Film Daily, September 16, 1942

 

The plot idea of a German spy impersonating an English aristocrat to whom he bears a resemblance is taken from a 1920 novel, The Great Impersonation, by E. Phillips Oppenheim. Set during the First World War, the story has Baron von Ragastein returning to England from a sojourn in East Africa as Sir Everard Dominey, his lookalike. From his position in English society, "Dominey" is able to supply the Germans with information.

An interesting fact that modern viewers may not be aware of is that there really was a "Voice of Terror" in London during the Second World War, though he didn't use that name. William Joyce was one of several broadcasters who was known by the name "Lord Haw Haw." A former member of the British Union of Fascists, Joyce left England in 1939. He became famous for his wartime broadcasts to England, alarming listeners with threats of invasion and anti-British propaganda. The British public who watched Sherlock Holmes and the Voice of Terror in the theaters in 1943* were certainly familiar with Lord Haw Haw's broadcasts.

*Although the film was released in the USA in September 1942, it wasn't released in Britain until October 1943. The reason for this delay is unclear. In her book England's Secret Weapon, Amanda Field speculates, "This may have been because of censorship problems: the plot concludes with Holmes unmasking the head of British intelligence as a Nazi spy" (p. 120). One can't help but wonder what had changed by October 1943 to suddenly allow releasing the film.


As they leave their apartment, Watson cautions Holmes against wearing the deerstalker, saying, "You promised!"

Watson deduces, "Bullet wound."

Sherlock Holmes and the Voice of Terror (working title: Sherlock Holmes Saves London) contains one of my favorite lines from all the Holmes films. Evan Barham, of the Inner Council, shows Holmes and Watson his bandaged hand and explains that someone shot him. As Watson examines the hand, Holmes asks, "What do you make of it, Watson?" Watson replies, "Bullet wound."

Sherlock Holmes and the Voice of Terror is not the best of the Holmes films, but a very good one and very entertaining, nevertheless. Holmes shows off some brilliant deductions about the council members upon meeting them. The cinematography has a film noir feel to it, as most scenes are at night or in subdued light. The Voice of Terror is the only one of the Universal series not directed by Roy William Neill.

Observant film buffs will notice that the train wreck seen at the beginning of The Voice of Terror was footage used in Universal's 1933 film, The Invisible Man.

 

"Sherlock Holmes and the Voice of Terror" with Basil Rathbone and Nigel Bruce

Sherlock Holmes is given a modern setting in this fairly good espionage melodrama. Elementary indeed is his outwitting of a ring of Nazi saboteurs, who terrorize the English by broadcasting an announcement of each sabotage act before committing it. The story is a bit on the implausible side, but followers of mystery pictures should find it to their liking, since it keeps the head spy's identity concealed. Several persons are suspected, but it is not until towards the end that the guilty person is exposed. There is no romance or comedy:

When Nazi saboteurs jeeringly warn the nation of new depredations through their radio Voice of Terror, the Intelligence Inner Circle summons Sherlock Holmes (Basil Rathbone), to help in the crisis. Holmes and Dr. Watson (Nigel Bruce), his companion, are visited the first night their inquiry begins. A man dying from a knife wound enters their apartment. His last words leads Holmes on a hunt into the slums, where he enlists the aid of Kitty (Evelyn Ankers), sweetheart of the slain man. Kitty arouses her friends to help find the saboteurs. Holmes determines that the Voice was actually a phonograph record, transcribed in England and sent by plane to Germany for broadcasting. Summoned by Kitty to a waterfront hideaway, Holmes and Watson discover Meade (Thomas Gomez), the spies' leader. Holmes allows him to escape, then arranges with Kitty to befriend him. Pursuing new clues, Holmes observes an enemy plane making a landing near the estate of Sir Evan Barham (Reginald Denny), chief of the Council. He sees Meade hand the pilot a package as the plane takes off. Soon the Voice of Terror promises new destruction in northern England. Taking the Council members with him, Holmes goes to a point on the southern English coast where, with the aid of soldiers, he captures Meade and his henchmen in an abandoned castle. Holmes then proves that the threat of destruction in northern England was a ruse to draw men and equipment away from the southern coast to aid an intended Nazi invasion. Sir Barham is uncovered as a Nazi spy. In an unguarded moment, Meade grabs a gun and kills Kitty. Holmes sadly starts home, but with him go the thanks of a nation.

Lynn Riggs wrote the screen play based on a story by Sir Arthur Conan Doyle. Howard Benedict produced it, and John Rawlins directed it.

Not for children.

Harrison's Reports, September 12, 1942

 

"The same old Sherlock—and the same old Basil Rathbone, too—only this time with a sort of wind-blown hair-do and markedly without deerstalker cap, is again prowling around in foggy London and the sinister cellars of Limehouse, ferreting out the Nazi agents who not only commit sabotage all over England but have the effrontery to proclaim their acts on the radio." —Bosley Crowther, New York Times, September 19, 1942


Holmes asks Kitty, "Do you know what 'Christopher' means?"

The Inner Council listens to another Voice of Terror broadcast.

"Sherlock Holmes, the screen's leading anachronism, is currently combating the Nazis and winning handily. 'Sherlock Holmes and the Voice of Terror,' his latest vehicle, is supposed to be based on 'His Last Bow,' but you will notice deviations to the approximate number of three hundred. Holmes and Watson are portrayed by Basil Rathbone and Nigel Bruce, whom a rising generation probably looks on by now as the original models."  —David Lardner, The New Yorker, October 3, 1942

 

Sherlock Holmes and the Voice of Terror

It's About: The famous detective mixes it up with Nazi spies.

It was our idea the famous Conan Doyle character lived somewhere back in the nineties, gay or otherwise. Nevertheless and notwithstanding, we find the old boy, who must be getting along in years, with his inseparable pal Doctor Watson (Nigel Bruce ) uncovering a Nazi radio nest and preventing all sorts of German invasions. My word, what an active old bird, to be sure.

Basil Rathbone, of course, is the indestructible Holmes and Evelyn Ankers the pretty Limehouse girl who aids him.

Your Reviewer Says: Pretty average fare.

Photoplay, December 1942

 

"The move from one studio to another [20th Century Fox to Universal] had not changed the brilliance of Rathbone's performance." —David Stuart Davies, Starring Sherlock Holmes, (Titan Books, 2001)

"Rathbone ... and Bruce were at their best in the roles, which they were, by now, quite familiar with." —Michael Druxman, Basil Rathbone: His Life and His Films (A.S. Barnes, 1975)


Watching London's East End burn

Holmes explains that the Voice of Terror broadcasts are recorded in England and flown to Germany.

See more photos and reviews of The Voice of Terror on page 2.

See Posters, Lobby Cards and Promo Photos on page 3.

..

Cast  
Basil Rathbone ... Sherlock Holmes
Nigel Bruce ... Dr. Watson
Evelyn Ankers ... Kitty
Reginald Denny ... Sir Evan Barham
Montagu Love ... Gen. Jerome Lawford
Henry Daniell ... Anthony Lloyd
Thomas Gomez ... Meade
Leyland Hodgson ... Capt. Ronald Shore
Olaf Hytten ... Admiral Prentice
Arthur Blake ... Crosbie
Harry Stubbs ... Taxi Driver
Hillary Brooke ... Jill Grandis
Robert Barron ... Gavin
Mary Gordon ... Mrs. Hudson
Rudolph Anders (credited as Robert O. Davis) ... Schiller (Nazi)
Harry Cording ... Camberwell (ex-convict)
Leslie Denison ... Air Raid Warden
Edgar Barrier ... Voice of Terror
Gavin Muir ... BBC radio announcer
Herbert Evans ... Smithson (butler)
Donald Stuart ... Grady
John Wilde ... Nazi
Arthur Stenning ... Officer
George Sherwood ... Cabby
Ted Billings ... Bartender
Charles Jordan ... Limehouse pub patron
John Rogers ... Limehouse pub patron
Alec Harford ... Limehouse pub patron
Fred Graham ... Meade's henchman
Bobbie Hale ... Bar patron
Mike Morelli ... Bar patron
   
 
Credits  
Production Company ... Universal
Assoc. Producer ... Howard Benedict
Director ... John Rawlins
Asst. Director ... Joseph A. McDonough
Screenplay ... Lynn Riggs, John Bright
(based on "His Last Bow" by Arthur Conan Doyle)
Adaptation ... Robert D. Andrews
Cinematographer  ... Elwood Bredell
Film Editing ... Russell Schoengarth
Music Director ... Charles Previn
Music Composer ... Frank Skinner
Art Director ... Jack Otterson
Assoc. Art Director ... Martin Obzina
Set Director ... Russell A. Gausman
Assoc. Set Director ... Edward R. Robinson
Sound Director ... Bernard B. Brown
Sound technician ... Robert Pritchard
Technical Advisor ... Tom McKnight
Gowns ... Vera West
   

 

Sherlock Holmes and the Voice of Terror is available on DVD

either as a single DVD:


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OR as part of The Sherlock Holmes Collection, Volume One:

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