(1945) 68 min. b&w
"The Woman in Green" is the eleventh Sherlock
Holmes film that Basil Rathbone and Nigel Bruce made together (ninth in
the Universal series). Hypnosis and blackmail are involved in
this tale, which opens with Inspector Gregson of the CID narrating.
Four defenseless women have been found murdered, and in each case the
right forefinger has been cleanly severed. Scotland Yard has no clues or
leads, and is under great pressure to solve the case, so Gregson calls on
Sherlock Holmes for help.
Gregson
and Holmes discuss the case over a whiskey and soda at Pembroke House,
where they also observe Sir George Fenwick sitting with an attractive
young woman. The inspector comments, "Is that his daughter with
him?" and Holmes replies, "Don't be so naive, Inspector."
A little while later they observe Sir George and the
young woman leaving together. Holmes comments, "Wonder where she's
taking Sir George Fenwick?" To which the inspector replies,
"Don't be so naive, Mr. Holmes."
The following morning Sir George wakes up in a room
over Edgeware Road, having no memory of how he got there, and we hear a
newspaper boy calling out the news of a horrible murder in Edgeware Road.
As Sir George reaches into his coat pocket, he discovers a severed finger
in it. He returns to the woman's home to try to figure out what happened,
and Moriarty confronts Sir George, claiming to have seen him commit the
murder.
Sir George's daughter comes to Holmes after observing
her father bury the finger in the garden. Holmes, Watson and Gregson
arrive at Sir George's house too late to save him. He's been shot.

Miss Fenwick tells her story. |

Watson examines the body of Sir George. |
After Sir George is murdered Holmes finds enough clues
to figure out that blackmail was the motive for the finger murders, but he
remains baffled as to how the people are
convinced they committed a murder.
| Watson is lured away from Baker Street by a
phone call, a fake medical emergency. As soon as he's gone,
Moriarty pays a visit to Holmes. The ensuing dialogue is largely
inspired by Arthur Conan Doyle's "The Final Problem." |
|
 |
"All that I have to say has already crossed
your mind," said he.
"The possibly my answer has crossed yours," I replied.
"You stand fast?"
"Absolutely."
. . .
"Well, well," said he at last. ". . . You hope to
place me in the dock. I tell you that I will never stand in the
dock. You hope to beat me I tell you that you will never beat me.
If you are clever enough to bring destruction upon me, rest
assured that I shall do as much to you."
(from "The Final Problem," The Memoirs of Sherlock
Holmes, by Arthur Conan Doyle.) |
Compare the above passage with the actual dialogue from the film below:
| Moriarty: |
Everything that I have to say to
you has already crossed your mind. |
| Holmes: |
And my answer has, no doubt, crossed yours. |
| Moriarty: |
And that's final? |
| Holmes: |
What do you think? |
| . . . |
|
| Moriarty: |
We've had many encounters in the past. You hope to place me on the
gallows. I tell you I shall never stand upon the gallows. But, if you are
instrumental in any way in bringing about my destruction, you will not be
alive to enjoy your satisfaction. |
| Holmes: |
Then we shall walk together through the gates of Eternity hand in
hand. |
| Moriarty: |
What a charming picture that would make. |
| Holmes: |
Yes, wouldn't it? I really think it might be worth it. |
Moriarty
claims that his men will kill Dr. Watson if he, Moriarty, fails to return
unharmed. As they talk, Moriarty nudges Holme's chair closer to the
window. After Moriarty leaves, and Watson returns, Holmes notices an open
window in the empty house across the street. He asks Watson to go check it
out. From the house across the street Watson can see the silhouette of
Holmes through the window. He also sees a man with a rifle approach the
window and aim. Before Watson can stop him, the man shoots. Fortunately,
he shoots a bust of Julius Caesar, and Holmes is right behind Watson. They
capture the sniper and discover that he is hypnotised. Suddenly Holmes
realizes the method used in the finger murders: the victims are hypnotized
and therefore easily led to believe they might have committed the murder.
Holmes and Watson pay a visit to the Mesmer Club, the meeting place for
the top hypnotists. Sherlock Holmes' brother Mycroft is a valued member of
the club.
At
the Mesmer Club Holmes spots "The Woman in Green," whom he saw
with Sir George, and learns her name is Lydia. Holmes accompanies Lydia to
Pembroke House, where Holmes confesses that he is losing sleep over the
difficult case of the Finger Murders. Claiming that she can help him with
his insomnia, Lydia coaxes Holmes to her apartment and there hypnotizes
Holmes. Moriarty then enters the room and orders Holmes to write a
suicide note and then walk out onto the ledge of the balcony. Before
Holmes reaches the end of the ledge, Watson arrives with the police, and
they arrest everyone involved with the finger murders. Watson jumps
to the ledge to save Holmes and discovers that he isn't hypnotized at all.
He was just playing along until the police could get there.
Moriarty breaks free from his captors and jumps to the ledge of the
next building. But because he is handcuffed, he is unable to grab hold of
anything and he falls to his death.
This film presents two adversaries for Holmes: the
"Napoleon of crime" Moriarty
and a seductive femme fatale. Oddly enough, audiences never questioned how Moriarty could be
alive after apparently being killed in both "The Adventures of
Sherlock Holmes" and "Sherlock Holmes and the Secret
Weapon."
Many fans and critics believe George Zucco's Moriarty ("The Adventures of
Sherlock Holmes") was the best, but Rathbone thought Daniell's interpretation
of Moriarty
was "delectably dangerous" and "masterly." Henry
Daniell's performance was indeed superb, and the highlight of the film. The
character of Moriarty didn't appear in any more Holmes films
until 1976, in "The Seven Percent Solution."
This was the last of the series to be written by Bertram Millhauser. It
used an idea in "The Adventure of the Empty House" but otherwise
was an original story, not based on a Conan Doyle story.
Go to Page
Two for more pictures from "The Woman in Green."
Cast
|
|
Credits
|
Basil
Rathbone...........Sherlock
Holmes
Nigel Bruce..........................Dr. Watson
Hillary Brooke.................Lydia Marlow
Henry Daniell..................Prof. Moriarty
Paul Cavanaugh.....Sir George Fenwick
Matthew Boulton....Inspector Gregson
Eve Amber....................Maude Fenwick
Frederic Worlock.......................Onslow
Tom Bryson..............................Williams
Sally Shepherd.........................Crandon
Mary Gordon...................Mrs. Hudson
Percival Vivian.....................Dr. Simnell
Olaf Hytten...................................Norris
Harold de Becker.............Shabby Man
Tommy Hughes.....................Newsman
Billy Bevan......................Street Peddler |
|
Production Co.
......................Universal
Producer....................Roy William Neill
Director......................Roy William Neill
Screenplay...............Bertram Milhauser
Cinematographer................Virgil Miller
Editor..............................Edward Curtiss
Music Director..................Mark Levant
Art Directors.............John B. Goodman
..........................................Martin Obzina
Set Decorators.....Russell A. Gausman
......................................Ted Von Hemert
Special Effects...............John P. Fulton
Costume Design...................Vera West |
Images on this page and page two are from the film
"The Woman in Green", copyright 1945 by Universal.
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